Already from the time of Mondrian to the art of Vasarely, the image of reality was broken down into parts, synthesized or simplified, with fragments of reality that did not respond to the usual connections between the parts. Even before that, cubism and futurism had also tried to fragment the image, considering the multiplicity of its parts in space and time. In doing so, however, they distanced us from the reality considered by creating something far from its being, thing or person. So I tried to retrace this path but using not other forms but the starting ones of the image itself in a synthesis and decomposition that was however closer to perceived reality. With new ways of using the geometry of which everything is made and new graphic techniques, precise lines, graphic screens and only in some details a strong hyperrealism. What I returned were images that were closer to reality, however abstract they may appear in technique.