Many unfinished, unresolved or not yet completely defined designs have that character of imperfection and provisionality which gives them a particular charm. I love them because they offer me possibilities, many visions and ways out. Once a job is finished or solved, worlds that you saw as possible and that you didn’t realize but would have liked to at least try to do so close. And also the same style that derives from these tests, when you look for connections, attach pieces of other things, photos, clippings, tickets, this determines a style not in the sense of the indicated suggestion but because it becomes an amalgam, a visual patchwork itself. Or when you erase parts or test the brushes with squiggles or the same colours to use, laying down some brush strokes as a test. Here all this generates a visual story that becomes a style, a style that I love.