Geometries and the woman’s body. Shapes in assonance, shapes that find each other. And curves that divide a space that is always perfect if a woman’s figure determines it. This style has the colours and shapes of abstract art combined with the sensuality that only a real body possesses, not its symbolic interpretation. There is a moment, a position that the eye catches before changing and then you know that only that contains the perfect moment where the same harmony and equal rhythms between body and geometries are played. The artist’s eye knows what this formula is and I still cannot express it with formulas.